Media Composer is proven and trusted by professional editors in every segment of film, television, and broadcast. Designed to handle high volumes of disparate file-based media, Media Composer delivers accelerated high-res-to-HD workflows, real-time collaboration, and powerful media management, eliminating time-consuming tasks so you can focus on telling a great story. And now the choice is yours-edit on premises, remotely through the cloud, on demand, through a low-cost subscription, or purchase a license outright-making Media Composer the most versatile and accessible tool for professional creative editorial.



And now the choice is yours-edit on premises, remotely through the cloud, on demand, through a low-cost subscription, or purchase a license outright-making Media Composer the most versatile and accessible tool for professional creative editorial.

New Feature

Custom Projects
You can set a custom frame size for your project.

XAVC-I Native Support
The editing application includes native support for Sony XAVC-I format.

Apple ProRes Native Support
Media Composer now includes native support for Apple ProRes 2K/4K/UHD media

Remove Color Adapters from a Sequence
You can now remove color adapters from a sequence before you send it for color correction on another system.

Reformatting Media
You can now manage your default setting for linked media.

Viewer Mask Options
An option for Mix to Black has been added to the Target Mask submenu in the Source and Record viewers.

Previewing Closed Captioning
The editing application supports previewing Closed Captioning in the monitors and Timeline.

Timeline Quick Find
You can quickly search for text in the Timeline.

Lists Tool Improvements
A number of improvements have been made to the Lists Tool.

Background Render,Background Transcode and Dynamic Media Folders supported with Media Composer | Cloud
Dynamic Media Folders, Background render and Background transcode are compatible with Media Composer | Cloud systems.

Composer Monitor Change
You can resize a single monitor to a larger size than in previous releases.

Terminology Changes
AMA is now referenced as Link in the editing application. All import and export settings for scaling of color levels from full range (RGB) to legal range (video) have been updated with more intuitive terminology.

Adapter Display in Timeline
The source side adapters icons are now represented individually so that you can quickly see which adapter has been applied to the clip. The display of these icons can be turned on/off individually.

Refresh Sequence All
The More tab of the Command Palette now has a Refresh Sequence ALL button that can be added to your Timeline toolbar and mapped to your keyboard.

AAX Factory Presets
The editing application supports Pro Tools presets for audio track effects.

Alpha support for QuickTime wrapped DNxHR
This release includes Alpha support for QuickTime-wrapped DNxHR media.

Inactive Audio Tracks
You can choose to include inactive audio tracks in the export process.

Transcoding Media
In previous releases, you could transcode with the media's original frame rate only when working with greater than HD projects. With this release, it now also applies to SD and HD projects.

Deleting AMA metadata files associated with linked master clips.
You can now delete metadata files associated with linked master clips.

Four Channel Audio
Monitoring options Additional options have been added to the Audio Mixer tool that tell the editing application the number and position of speakers connected to your workstation. The output of the sequence set in the Sequence Mix Mode is mixed into the speakers available according to one of these modes.

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